February 19th, 2007 · < Renée >
- Radiohead (T. Yorke / J. Greenwood / E. O’Brien / C. Greenwood / P. Selway): Everything in its right place (2000)
- Christopher O’Riley pf (Odyssey SK 87321, True love waits: Christopher O’Riley plays Radiohead)
- Ludwig van Beethoven: Piano sonata no. 8 in C minor, op. 13 (”Pathétique”) (1798)
- Enid Katahn pf / Edward Foote pf-technical (Gaspard GSCD 332, Beethoven in the temperaments)
- Carl Vine: Sonata for flute and piano (1992)
- Immanuel Davis fl / Stephen Gosling pf (Overdressed Late Guy Productions OLGP-245CD)
- Gustave Charpentier: Louise: “Depuis le jour” (1887-1900)
- Leontyne Price S / RCA Italiana Orchestra / Francesco Molinari-Pradelli cond (RCA 6587-2-RC, Aria)
- Gian-Carlo Menotti: Amahl and the night visitors: “Thank you, good friends” (1951)
- Chet Allen S / Andrew McKinley T / Leon Lishner Bar / NBC Symphony Orchestra & Chorus / Thomas Schippers cond (RCA 6485-2-RG)
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nice job, Renee, but speak up a little. catchy ending.
Thank you, Renee, for the clear and simple explanation of historic temperament. A good book to mention in reference to this subject is “How Equal Temperament Ruined Harmony” by Ross Duffin (Norton, 2007).